When we picture romance, we imagine a dreamy place and steamy windows full of flowers and freedom. The New Romantic is more than inspiration: it’s a free-spirited character.

Romantic styles became especially popular in the 19th century, during the Victorian era. In fact, fashion quickly became a matter of high waistlines, elegant silhouettes, French lace, embellishments, embroidery and billowing sleeves. In the 70s, romanticism made a strong comeback thanks to the vision of British designer Laura Ashley. 

In this group of the collection, the Splash by Lo creative team has had very diverse influences. One to mention would be Japonism and Chinoiserie, a theme which was very present in European culture at the end of the 19th century, where exoticism and tenderness were a great influence in fashion, art and design.

This inspiration’s colour palette is based on both pastel colours and Marie Antoinette’s style, as well as the musical influence of Chopin’s Nocturnes and Françoise Hardy. Likewise, photographer Doan Ly’s floral still lifes are a harmony of colour and light reflecting this delicate and suggestive colour palette. 

Floral in style, but with European elegance and a strong poetic feeling. The prints from The New Romantic inspiration immerse us in a journey of tenderness and exoticism, as if our skin were walking through Annabel’s, the select London club, with its pastel colours, floral maximalism and rococo luxury.

When we picture romance, we imagine a dreamy place and steamy windows full of flowers and freedom. The New Romantic is more than inspiration: it’s a free-spirited character.

Romantic styles became especially popular in the 19th century, during the Victorian era. In fact, fashion quickly became a matter of high waistlines, elegant silhouettes, French lace, embellishments, embroidery and billowing sleeves. In the 70s, romanticism made a strong comeback thanks to the vision of British designer Laura Ashley. 

In this group of the collection, the Splash by Lo creative team has had very diverse influences. One to mention would be Japonism and Chinoiserie, a theme which was very present in European culture at the end of the 19th century, where exoticism and tenderness were a great influence in fashion, art and design.

This inspiration’s colour palette is based on both pastel colours and Marie Antoinette’s style, as well as the musical influence of Chopin’s Nocturnes and Françoise Hardy. Likewise, photographer Doan Ly’s floral still lifes are a harmony of colour and light reflecting this delicate and suggestive colour palette. 

Floral in style, but with European elegance and a strong poetic feeling. The prints from The New Romantic inspiration immerse us in a journey of tenderness and exoticism, as if our skin were walking through Annabel’s, the select London club, with its pastel colours, floral maximalism and rococo luxury.